Writing A Romance

Towards the start, when we first started writing our blog, we wrote a post on how to structure your novel. This novel plan works perfectly fine for every genre, whether that’s fantasy, crime or erotica, but if you’re writing a romance there are a few other things you might want to add…

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The First Sight

When and where do your love interests meet? Do they talk on this first meeting, or do they just see each other? What are their first impressions of each other? These are all things you’ll need to cover when talking about your soon-to-be couple meeting for the first time. I think one of my favourite examples of this type of scene is in Bridget Jones, when Bridget meets Mark Darcy for the first time. Humour is used well in this scene, through the use of dialogue and Mark’s ridiculous Christmas jumper.

The First Kiss

When do they have their first kiss, and what sort of kiss is it? Are they angry, drunk, was it accidental, or part of a game? The first kiss can help to shape how their relationship forms over the course of the novel, and you can even use it as foreshadowing for their big finale snog, or something like that.

The First Date

This scene is sort of optional, although I imagine it will pop up in your novel. What is their first date? This could be anything, from a romantic dinner to a sports game to a night in. Make it suit the characters, and choose your setting based on how the date is going to go. If you want the date to go wrong, pick a setting that will help enable the bad things to happen. Similarly, if you want this first date to be funny to the reader, pick a scene that will help add to the humour.

The OMG THEY’VE BROKEN UP Moment

This is the moment where it appears all is lost and your reader’s new favourite couple weren’t meant to be. There’s no love there anymore (for at least one of them), and it looks like there will never be love there again. Your protagonist starts to move on with their life, because the conflict that instigated the breakup seems unsolvable.

The Resolution

Would you believe it? They’ve found a way through their problems! This is your big finale, the moment your two lovers realise that they can and will be together. They’ve sorted out the conflict and they’ve declared their love for each other. There’s a commitment between them, whether that’s an engagement, a promise to be monogamous or just a lot of sex. This. Is. It.

 

So there they are, the super important extra scenes you should be including in your romance novel. Happy writing!

 

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Writing For Young Children

There’s a common idea amongst many people that writing for children is easy. This isn’t true. In some ways writing for young children can be harder than writing for adults, as things like word choice require a lot more thought. Still, there are always tips to give for all types of writing, so here are ours for writing for young children.

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Decide on a reading age

As children work their way through primary school they very rapidly expand on their reading knowledge. One year they’ll be stuck on simple sentence and the next they’ll be more than happy to use compound sentences. This means you’ll really need to know your target audience before you write. If you’re not 100% sure on what words are best for your audience, buy a literacy teaching exercise book for your age group and have a look at what words are suggested in those.

Make it a challenge

Books should challenge children, as it’s this slight difficulty that helps them to expand their vocabulary. Use a few words in the book that are a little above their reading age but that can still be sounded out. This way they’ll either be able to guess what the word means by the context or they’ll ask a parent or teacher. Don’t make these few extra words too advanced or too frequent though; you don’t want to put them off reading.

Make it aspirational

For children, a lot of their time is spent thinking about what it’s like to be older, whether that’s being year six and sitting on the benches in assembly or year three and being in a different section of the playground. Similarly, your books for six year olds shouldn’t have children of that age as the protagonist. The protagonist should always be a couple of years older so your readers can aspire to be like them.

Think in threes

This is best for books written for really young children, but in theory it works well for all readerships. Think of fairy tales; there are the three little pigs, the three billy goats gruff, the three wishes, everything is in threes. This is because they provide a pattern for the children without dragging the story out too much.

Use repetition

Repetition is a great way to make children’s books interactive. I remember We’re Going on a Bear Hunt was my favourite book as a child because I loved joining in with the repeated bits. Not only does this repetition make the reading fun (and so encouraging children to read more), it also helps children to recognise and learn the words on the page.

 

These seem like pretty simple tips, I know, but follow them and you’ve got the makings of a great children’s story. If you’re ever stuck just think back to when you were younger and take a good look at your favourite book then. What made you love it so much? Chances are, the reason you loved that book will be the reason your readers love yours.

A Short Guide To Dialogue

Every novel requires dialogue, and wouldn’t be as exciting to read without it. Used well, it can bring tension and action to a story, as well as helping to let readers know what different characters are thinking and feeling. Getting it right can be pretty tricky, so here’s a few tips to help you out.

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It’s never perfect

…so don’t try to make it so. People never have a conversation where every question is answered and every word is heard and reacted to; it just doesn’t happen. Often, people will answer a question with another question, or they will complete ignore it and talk about something else. Not doing this and instead making everything perfect is unrealistic and won’t sit well with your readers. I feel that this is especially important when it comes to police interviews. The interviewee will most definitely not answer every question, and will often change the subject to talk about something or someone else. They might even just ask for a drink.

Think of people’s feelings

The undertones of text are just as important, if not more important, than what is being explicitly said. You want your character to let her friend now she loves her. That’s great, we all love a good romantic confession. However, you don’t have to outright say that. Do you really think a girl is going to just stand there and say ‘hey, I love you’ to her best friend? No. It’s much more difficult, and you have to capture that. Instead she’d probably go on about the little things that made her fall in love, and from these we can guess, and so can her friend, what she’s getting at.

People exaggerate

People exaggerate things, so even if your reader knows that the tiger your protagonist fought was just out of its mother’s womb, the protagonist is much more likely to describe it to their friends as the biggest tiger they’ve ever seen. It may seem silly including little things like this in your work, but it’s something that will make your dialogue more realistic and will bring your characters to life. And your exaggerations don’t have to be this wild. It could be something as simple as elaborating on how happy or angry someone was to them.

Don’t overuse punctuation!

See? Seriously, just don’t. The more you use an exclamation mark, the less impact it has when it really matters. And anyway, I doubt your characters really do shout that much, so why make it look like they are? The only punctuation marks that should show up really often are full stops, commas and question marks. Everything else, save for special occasions. Similarly, make sure you use ellipses (…) and hyphens (-) correctly. Use ellipses to show where someone is trailing off at the end of a sentence, and use a hyphen to show that they have been interrupted.

Don’t cram

There’s a lot of information crucial to your story that you want to get across during speech, we get that, but is it realistic that your character would sit and say all of this to someone in one monologue? If not, find another way to get the information across, whether it’s two different people taking it in turns telling bits or just that part of it is written on paper for people to see instead. Make sure you only get the essentials across in the actual dialogue, and tell us the rest in a different way.

 

If you follow these five simple tips, your dialogue could improve massively. The main thing though is to read back through any dialogue you’ve written with a friend. If anything feels unnatural to you, or it sounds forced or unlikely, change it so it feels right. Dialogue can be a very useful tool to a writer if used correctly, so make sure you get it spot on.

Creating Fantastical Creatures

The most amount of fun you’ll have being a fantasy and science fiction writer is making up your own creatures and supernatural attributes. You get to take your idea and turn it into a living monster that will haunt your pages and make your story magical for everyone that reads it. Creating them can be pretty hard though, especially when it comes to originality, so here’s a few tips on how to get started.

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Base them on others

Don’t be scared to base your new creature on one that already exists. If you were really into Greek mythology as a child, it’s perfectly okay to start your creation off with the image of a minotaur at it’s heart. Starting with something that you already have a strong idea of means you’ve got something to build on and make your own. It’s not copying or unoriginality, it’s having the courage to build on what other great writers have started. You don’t have to start with an already fictional creature; using an animal as your base works just fine too.

Make it fun

One of my favourite ways of making a new creature is by picking attributes out of bowls and mushing them together to shape something new. What I do is create multiple lists. One would be of powers, another colours, another of body shapes and another of weaknesses (you can add more if you like, but this is generally enough to get me started). I then cut each individual item from each list up, fold them into tiny pieces and put them in bowls that match the category. After that, it’s just down to picking one piece of paper from each bowl until I’ve created a creature I’m really happy with. It’s a fun way of creating something new, and also gives you some writing prompt material for other stories.

How do they get around?

How your creature moves from A to B can really make a difference when it comes to writing your story. If they’re just going to walk you’re going to need to make sure they have bodies suited for walking. This is the same for flying or driving, for everything really. Alternatively, you could give them an ability like teleportation or super speed that helps them move from place to place in a less conventional way. Doing this means you don’t have to shape the creature’s look around their travel. Whatever you do with it though, make it suit the character. If your character is someone that wows crowds and has an air of power about them, make their form of transportation quite showy. Similarly, if they’re a character that goes bump in the night, make them move in a way that will put your readers on edge.

What do they eat?

It’s a bit of a daft question really, and it’s something that might not even come up in your story, but knowing what your creature eats can change who they are or how you portray them. It can also be great for adding humour to your story, or horror if you’d prefer. For example, a small, fluffy kitten with teleportation abilities and big eyes would be cute to a reader, until on one page it’s seen to eat the souls out of baby elephants. Doing something like this gives another dimension to an otherwise flat character and can help to shape your story.

How do they fit into their world?

This won’t apply to all of you, but for those of you setting your fantasy story in the world we live in you need to decide how you can get your creature to fit in. If you’re writing in this reality, we’d surely notice if huge, hairy ogres are walking around Liverpool on a Friday lunchtime. To counter this you would need to think of a way for these creatures to fit in, whether it’s a visual camouflage device, invisibility or shape shifting abilities. Think Buffy the Vampire Slayer here. What made it truly terrifying was that the vampires looked just like humans until they came to feed, then their shapes would contort back into their natural form. It worked great to scare watchers as it was realistic and terrifying.

 

There’s just a few tips for when you’re creating your fantasy character. Most of all though, just enjoy doing it. Creating your own monster is so, so fun and can really help your imagination strengthen. And when you’ve decided on what your creature will look like and do, try drawing or painting them. Sure, you might not be a top artist, but making the character into something you can look at will help you to write them better and develop them into something you’re truly proud of.

A Short Guide to Adjectives

adjective – a word naming an attribute of a noun, such as sweet, red or technical.

 

No story is complete without adjectives to make it stand out. Without them we wouldn’t know what our favourite characters look like or what it’s like to be stood in a fantasy world. For this reason they’re my favourite type of word, so here’s a few pointers on how to use them well.

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The Power of Three

There’s a lot of power in threes, which is why we use them so often. The three little pigs, three musketeers, you get the idea. This works for adjectives just as well as it does for everything else. Things tend to sound better when there are three words together, especially when describing something. Take a look at the following sentences.

Olivia had short, dark, curly hair.

Olivia had short, dark hair.

Which sounds better? Although the first gives more information, the second reads much better. If you think it’s absolutely essential for that third adjective to be there, give it to the readers in another way.

Olivia had short, dark hair that fell in soft curls around her face.

This sounds much better and still has all the information in it. You don’t have to stick religiously to these rules though. If you think three adjectives before the noun sounds best in a particular sentence that go ahead and use it. Generally though, stick to using just one or two.

Use All Five Senses

We use all five of our senses when describing and remembering things in our day to day lives, so why wouldn’t we use them in stories too? The sense we use most often is sight, so it makes sense to use this the most in our work, but remembering to include the others will really improve the quality of your writing. Tell your readers what a room smells like, how food feels in a character’s mouth, what sounds are coming from the tent in the woods. Just in case you’ve forgotten, here are the five senses you can use in your writing:

Taste

Touch

Smell

Sight

Sound

Using all of these rather than just one or two of them will help plant your reader firmly with your antagonist in the world that you have created.

Be Bold

There are so many adjectives out there to choose from, so why is it that everyone uses the same ones? How many times have you read that something is big in a book, or that skin feels like leather? Words like big are used so much that they don’t have a massive effect on us. If you really want to express that something is big then use a different word that’s full of meaning and paints a picture in your readers heads. I mean, if a child is describing an elephant, to them it’s not big, it’s humongous. Using synonyms can really boost your writing and strengthen the world you’ve created.

Adjectives are the most important part of your writing, and if you follow these three tips your writing will really stand out and shine. And if you’re ever unsure about an adjective or want to find a new and interesting one to use, grab a thesaurus and have a look.

How To Meet Other Writers

Writing is a solitary hobby that can leave you feeling secluded and lost. When times get tough and you’re lacking the motivation to write, being alone can result in you giving up. The best thing to do in these times is to talk to other writers, others that know what you’re going through and what to say to help you get going again. Not only can these writers give you support, they’ll also be full of great writing tips and advice, and you can give them some too. Meeting others though can be hard, so here’s a few ways to get you started.

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Conferences

I find these the best way to meet other writers. You have to pay to get into writing conferences and festivals, which straight away tells you the people you’re meeting are serious about their writing. Not only will you be meeting many like-minded people at these events, you’ll also be spending the day learning about writing and publishing. If you want to meet writers of a specific genre there are some events that do focus purely on one genre, for example crime or fantasy. Make sure you talk to people and get their contact information too; most of these people will be just as eager to meet other writers as you are.

Facebook

Facebook is full of writing groups that are open for anyone to join. These groups are for people to share their own work and give helpful critiques on other peoples. You can also ask for advice and generally you’ll get a nice, friendly response. I’ve only ever had one unpleasant experience with Facebook writing groups, so chances are you’ll be just fine.

Writing Workshops

Paying to attend workshops in your area can help you to meet lots of writers that are local to you whilst improving your writing. You’ll spend the entire workshop with people that are clearly interested in the same area of writing as you, or struggling in the same area, and this will create a bond that can keep you in touch long after the workshop is over. It can be really useful to make local contacts, as it will be easier to keep in touch or even to meet in person occasionally.

Writing Groups

There are numerous writing groups in most cities, and to find them all you have to do is look hard. These will be groups of writers that meet once a month to share and critique their writing, usually based on similar genres. It’s nice to have these face to face meetings and deadlines as it will get you to write something rather than nothing each month.

Arvon Courses/ Writing Retreats

These are pretty expensive to go on, but if you can save the money they’re definitely worth it. You go live in a cottage or a villa or something like that for a week with other writers (often with food included) and spend the entire week writing and editing with the guidance of a professional writer or editor. The course itself will help you to get your novel written, whilst the people you meet could become your writing friends for life.

 

Most of the ways of meeting other writers costs money, but it’s worth it. The writing community is huge and everyone is very supportive of each other. Not only will being a part of it help with your writing, but it will also help you make friends with people you can really connect with. And in a few years, once your novel is written and published, you can help guide the newer writers to their success too.

Guest Post: Gareth Baker on Indie Publishing

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“My name’s Gareth Baker, and I’m an Indie Author – and a proud one at that.”

It took me a long time to feel that way, especially as some writers I’ve met often look down their nose at me. At first, I didn’t blame them. I felt the title tried to sound grander than it was, and for the first year or so I referred to myself as a self-published author. Looking back, it was like I was apologising for myself. That yes, I agreed with the nose starrers that I wasn’t good enough and was cheating by jumping the queue. But then I slowly came to realise, about a year ago, that I had worked hard – very hard – to achieve what I had and that I was more than a self-published author, but a creator, a learner, a writer and an Indie publisher.

This April I will have been an Indie for three years. That length of time both seems like a lifetime and a blink of an eye. To be honest, I never wanted to be an Indie. I’d sent off a handful of applications to agents and publishers (not many really) and did what most people do – gave up. Then my friend published on Kindle, and not to be outdone, I did the same. My plan was to self-publish for five years, writing at least one new book a year, and use it as an apprenticeship, learning my craft. By April 2018, I will either be successful or be aiming at the traditional route (as well as being an Indie) as my apprenticeship will be over.

So far my business (and I do see it as a business. I don’t write for art, but I do write for fun), Taralyn Books, has published six books, with around another five waiting to come out in 2016. I now write under two names: Gareth Baker for children’s fiction and G H Mockford for thrillers and, coming later this year, fantasy. Whether Taralyn Books will publish other authors in the future is something I’ve yet to decide, but I have considered it.

Being an Indie’s no easy task, and after three years I am finally beginning to reap some rewards. By that I mean I am financially breaking even. This next year, my fourth, I hope to begin realizing my ambitions of making it a viable source of (realistic) income.

Over the course of the last three years, I have learned many valuable lessons. If you’ve researched how to be a successful Indie (there’s plenty of people willing to give you advice, and many who will charge you for that information too) you may have heard some of what I’m about to say before. When I started out I did some research, but, in the end, decided to throw myself into the ring and learn from my own mistakes. Learning to write a novel – and I mean learn – has been my most valuable experience and one I can’t really outline here as each novelist has to find their own style/path. Did I waste time by not standing on the shoulders of giants? Perhaps. But for me, making my own mistakes was very powerful.

I call the lessons I’ve learned “The Five Challenges of The Indie Author”, and here they are.

Challenge 1 – Time

The biggest enemy of all non-professional writers (by that I mean people who do not make a living solely from being a writer) is finding the time to write. If you’re holding down a full-time job and have a family, where do you find the time? My blunt answer is this: if you really want to tell that story, you will. Get up an hour earlier than you need to. Go to bed an hour later. Most importantly, turn off the TV. It’s as simple and difficult as that.

Then there are writers who have the time but can’t settle or get sucked into Facebook or other distractions. Those writers need to learn some self-discipline and join what I call the Writers’ Gym, or ask themselves what are you afraid of? These words might sound harsh, but only one person is going to write that book – you. Focus. Show some dedication. Get the book written.

In short, while time is an issue, if you want to write a book, really write a book, you will.

Challenge 2 – Money

Some people will tell you that being an Indie is low risk financially, and if you want to present a poor product (or you are highly skilled in editing, Photoshop, marketing etc), or only an e-book, it may well be. In the first two years of being an Indie, I lost money and not because I spent it unwisely (well, maybe sometimes). Producing a quality book, especially if you want to create hard copies, is going to cost you money.

With this challenge, I think you have three options open to you:

  • Publish with what money you have and then pour any profits back into the product. This is what I did.
  • Find a source of money (several thousand) – your own, a family member, take out a bank loan. I did consider the last of these options last year.
  • Rob a bank or win the lotto. I advocate neither of these as one will land you in prison, the other is unlikely.

Now you have some money, you have to decide what you’re going to spend it on. Cover? Editor? Formatting? There are many people who can help you with these, and many of them will charge you a lot of money to do it. Unless you have money to burn, learn to do as much of this as you can for yourself. If you only have enough to pay for one of these, get a great cover. If you can’t afford an editor, get at least four friends to read your typescript and then save up and use an editor as soon as you can. They can be invaluable.

Challenge 3 – Knowing your Audience

Are you writing the book you would want to read? If you’re not, give up. You need to be enjoying yourself. Are you writing a book that fits a genre that you read a lot? Make sure you know what your audience expects. I’m not saying don’t experiment and put new angles on things, but you need to give your audiences what they want. Having said that, many successful Indies find a niche market.

Challenge 4 – Marketing

I’ll be honest with you, this is the area I still have to master, especially in the e-book market (most of my sales are hardcopies). The advice is to use Facebook, Twitter, a blog. I’ve tried all of these with no effect. Perhaps I didn’t persist for long enough. In the end I chose to focus my energies on being a prolific writer so that I have a large catalogue of work.

Challenge 5 – The 3 Ps

Patience, persona and persistence. These three words are probably the key for all writers, traditional, Indie or otherwise. It’ll take time (unless you’re incredibility lucky) and it’ll feel like you’re treading water, or, worse yet, sinking. If you have the drive and the talent, it will happen. Give it at least five years.

Here’s my final piece of advice. Write the story. Don’t worry about getting it word perfect, just get it finished. I spend at least three times as long rewriting and editing than I do writing the first draft. That’s okay, and everyone works differently, but if you keep polishing the same bit over and over, you’ll never finish.

So, those are the challenges I’ve faced and some of the lessons I’ve learned. I’m about to enter my forth year and this will be a critical one. I feel I’m finally hitting my stride in terms of finding an audience and a style. If you want to be an Indie, go for it, pursue your dreams, but know this; it won’t be easy.

If you’d like to find out more about me or my books please visit www.taralynbooks.com or if you’re more interested in my books for children, www.gareth-baker.com. You can also find me on Twitter and Facebook. Please follow the links on my website, and sign up for my newsletter.

Take care, and look after yourself,

Gareth

 

Indie Publishing: An Introduction

Publishing trends are constantly changing, and with more aspiring writers wanting to get their work out there publishing companies aren’t providing the platform many need. Enter indie publishing, self-publishing’s cool, less stigmatised sister, and thank fuck for it.

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Remember the days when you could see people cringe when you told them about the great self-published book you’d read? The assumption was that people only self-published because publishing houses wouldn’t accept their manuscripts. These were the rejects, the nerds in the school playground, and no one ever respected them despite their strengths. They were nerds because they were never accepted onto the netball team no matter how hard they tried, because they never quite had the right look or said the right things. Well, nerds are back and with them a cool, refreshing rebellion that’s lead to the beauty that is indie publishing.

Let’s break it down for you here, back to the basics. I want to make sure you 100% get the definitions here. Traditional publishing means a novel has been printed through a publishing house, like Penguin. Indie publishing literally is what it says; independent publishing. These books have been published without the help of publishing houses but by the writers themselves.

Nowadays, writers use the term ‘indie’ to set them apart for those who have self-published, and to show that they are serious about their writing and that they are worth the read. Because no matter what happens, you’ll always have those self-published books that have been put online without any thought going into the editing, typesetting or cover art.

Indie writers are not the rejects of the publishing houses. They’ve chosen to publish their own work for their own reasons, whether that’s to keep 100% control of their manuscript or to avoid making big changes that publishing houses might request.

This choice that writers are now actively making means that the quality of some of the writing out there is top bloody notch. Of course, you’ve got to be able to find it, but when you do you’ll have so many more books to read. Just take a look at the success stories, Fifty Shades probably being the most famous. Of course, just because a publishing company offers you a deal after you’re published independently doesn’t mean you have to take it; being an indie author comes with a great sense of freedom and control that you might not want to give up.

Deciding which publishing route to go down is hard, but in the end it depends on what you want and what your main goal is. If you want complete control of what your book looks like and reads like then indie publishing is probably the best route for you. And places like Amazon make it relatively easy to produce good looking books now so there’s help there for you. However, if your main goal is to see your book on the shelf in Waterstones I’d advise traditional publishing. You’ll have less control over the actual book, but with the contacts publishing companies have they’ll have more of a chance when it comes to getting your book on the shelf. Do bear in mind though that with the rising popularity of Kindles and eReaders, having a book in Waterstones doesn’t mean as much anymore (although I’ll admit, it’s still pretty damn cool).

So if you want to be an indie author there are a lot of things you need to consider. For a start, there’s the initial costs that will need to come out of your own pocket. You’ll need a book cover, a damn good one too if you want to attract readers. For this, unless you’re a cracking cover artist yourself, you’re going to have to hire a designer. Similarly, with the label of indie writer comes an expectation for the best, meaning your readers will be less accepting of spelling mistakes, plot holes and typos. This means you’ll need to pay for a proofreader/ copyeditor to make sure your novel is spot on. There’s also the possibility that you might need to pay for a typesetter, although many publishing programmes make it easy for you to do this yourself.

 

Now is the best time to be an indie author, with eBooks rising in popularity and ease of access at its best. There are plenty of forums, writing groups and workshops you can go to that will give great advice on how to start out. This support will really help you develop as an indie writer, and I think you’ll probably find that you’re just as happy with it as you would be if you were published by a big publishing house.

 

What are your experiences with being an indie author? Do you think it’s better or worse than traditional publishing? Let us know in the comments section below.

 

Social Media: A Writer’s Guide

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It is about you, but there’s other stuff too

Yes, your writers do want to know about what you’re writing and how everything is going, but they also want to know that your whole life isn’t just, well, you. Repost articles that you find interesting, but keep them relevant to what you’re doing. For example, if you’re a children’s writer you could repost an article about a current children’s book that successfully relates to transgender youths. This not only shows that you are up to date with others in your field, but also gives you the opportunity to open up a discussion with your followers.

Pictures, pictures, pictures!

Photos liven up your timeline and add variety to the text you’re writing. You should try to put an image with as many posts as possible. These don’t have to be perfect photographs, they could just be small photos of your writing space or what you’re eating/drinking, anything to break your timeline up. It also helps you appear as an actual person that your readers can relate to personally, rather than a writer who hires someone else to talk to their fans for them.

Be funny

I’m not talking Stephen Fry hilarious, but a little humour will get you a long way. People on social media tend to like and share little things that make them laugh or smile. You don’t have to make these things up yourself; there are plenty of photos and gifs out there that will brighten up your followers’ days, all you have to do is share them and add a little comment of your own. As a writer, you’ll probably get a great response to writing related jokes, about popular literature, punctuation errors and grammar Nazis.

Don’t go off topic

You’re a writer, so everything you write needs to be about writing or a topic you discuss in your books. Why go on a political rant about David Cameron when it is completely irrelevant to your novel and genre? Your followers don’t necessarily want to hear your rants, especially when they hold no connection to your writing. However, if this is something your audience would be interested in, or if it’s a topic you have written about in your novel, then feel free talk about it. Make it your job to find out what your followers want to hear and then write about that if it’s something you’re interested in too.

Sharing is caring

If you’ve just written a line that you’re really proud of, share it. See what people think. This line can be from a book you’ve already published or from your current WIP, just give them a little something to remind them why they follow you. It might also be good to share achievements from your followers too. If someone has commented on a post of yours to say congrats and then they mention their latest writing achievement, share it. Congratulate them on your page. Your online community will grow from this positivity, and they’ll appreciate you showing that you care.

Writers Inkouragement

There’s a great blog out there for writers that gives out tips and posts up to date creative jobs on a regular basis. It’s definitely worth checking out if you have a spare moment! This week I’ve written a guest post for it on how to get published, you can take a look here:

https://writersinkouragement.wordpress.com/2016/03/10/how-to-get-published-advice-from-an-editor/

If you have any questions about getting published or working with an editor, drop us an email at info@hemsleyseditorial.co.uk and we’ll be happy to help you out.